Project #6: Video effects

Due Date: March 31, 2011

Animation: 
Select 20 seconds of video footage (can be more than one clip) and use After Effects effects to make it unrecognizable. Use your creative judgement to make it an interesting abstract piece rather than a pile of heavy effects. Set it to a soundtrack of your choice.

Specs: 1280x720 @ 29.97 fps


Week 10: March 31, 2011

EFFECTS–PART 2

  • Effects categories and noteworthy effects (continued)
    • Time effects
    • CC Force Motion Blur
    • CC Time Blend/CC Time Blend FX
    • CC Wide Time
    • Echo
    • Posterize Time
    • Time Displacement
    • Time Warp
  • Simulation
    • Explore the entire group
  • Generate
    • Ramp
    • Fill
    • CC Light Burst
    • CC Light Rays
    • CC Light Sweep
    • Stroke (see the next section)
STROKE EFFECT

  • To simulate handwriting, always use the Stroke Effect, NOT the Write-On effect (Effects > Generate > Stroke)
  • Using the stroke effect:
    • Create a solid black layer (Layers > New > Solids)
    • Use the pen-tool to trace the shape you want to reveal. You don't have to close the mask path. If you do close the mask path, make sure to set the mask to "none".
    • Create more masks for better timing control
    • Add Stroke effect to the layer
    • In the "Path" pulldown , chose a mask (you must create a new stroke effect for every mask you have)
    • Adjust stroke effect settings: 
      • color: always make it white
      • brush size: make it slightly thicker than the shape you are revealing but not thick enough to reveal undesired parts of the shape out of order
      • paint style: on original image
    • Animate by changing the values of "Start" or "End"
      • If you are animating multiple Stroke effects, set keyframes to the first one and duplicate (Command + D) in the "Effect Controls" window and change the "path" of each to correspond with the desired mask. When you duplicate a stroke effect, the keys are also duplicated.
TUTORIALS:
Stroke Effect:

http://layersmagazine.com/animated-handwriting-in-after-effects.html

Inspiration 03.17.11: Effects

PIC Agency: “Push” title sequence
http://vimeo.com/14434360

Ghost Town Media: Linkin Park music video
http://www.motiongraphics.it/2010/11/linkin-park-waiting-for-the-end/

Sarofsky: The Killing title sequence
http://www.sarofsky.com/#killing

Click3X (http://www.click3x.com/): music video for Solange's "I Decided"
http://www.click3x.com/#/our_work/music_videos/i_decided

Week 9: March 24, 2011

TRACK MATTES REVIEW

EFFECTS (PART 1)
  • To apply an effect to a layer, select the layer and go to Effects > "category" > "effect name"
  • Adjust your effect in the "Effect Controls" window (by default appears on the left side next to the "Project" window).
  • When you apply an effect, keep in mind that you can set keyframes to any effect control that has a "stop watch" symbol next to it.
  • Effect categories and noteworthy effects:
    • Color Correction
    • Blur and Sharpen
      • Gaussian Blur: use for general blurring
      • Unsharpen Mask: use to sharpen your image. For best results, create a luminance mask and apply sharpening to highlights only:
        • duplicate the image/footage three times
        • leave the bottom layer as is
        • set the layer second from the bottom on "Luma Matte" setting (the top layer will be used as the mask)
        • apply "Unsharpen Mask" to the layer second from the bottom. Thanks to the Luma Matte mask, the sharpening will only be visible in the lighter spots.
        • Control the amount of sharpened  highlights visible by applying "Curves" or "Levels" to the top (mask) layer and darkening/lightening it.
    • Stylize
      • Glow
    • Distort
      • Mesh Warp/Liquify: use for precise distortion of images/video over time
      • Offset: use to create an illusion of a very long, seamless moving texture
      • Optics Compensation: use it to create an illusion of 3d space/fish-eye lens effect
    • Transition
      • Linear Wipe: use as a more visually creative substitute to fade an image/footage on or off. Make sure to have the feathering set at a high value.
      • Gradient Wipe: use to fade an image/footage on or off based on the luminance values of itself or another layer in the comp (specify the luminance reference layer in the "Gradient Layer" pulldown.

Week 8: March 10, 2011

TRACK MASKS
  • alpha matte
    • create a mask based on the top layer's transparency
  • luma matte
    • create a mask based on the top layer's luminance (black and white values)
  • track mattes and nested comps
USING ORGANIC ELEMENTS
  • building a track mask transition using Ink or Smoke footage
    • luma matte vs alpha matte
    • use Curves or Levels (Effects > Color Correction > ...) to force perfect blacks/whites for luma-mattes
    • use Solid layers (Layer > New > Solid) to force full-frame black or white color (for luma mattes) or 100% matte opacity (for alpha mattes)
  • paint spatter
TUTORIALS:

Simple Track Mattes:

Ink Bleedng Effect in After Effects (creating a Luma Matte mask):

Splatter Effect:
http://www.videocopilot.net/tutorial/fun_with_ink/




    Inspiration 03.10.11: Blending Modes

    Johannes Nyholm: Dreams from the Woods
    http://www.youtube.com/watch?v=yedD4JsZyT0&feature=related
    * This is a traditional puppet piece that can serve as inspiration for the look and feel blending modes will help you achieve.

    Inspiration 03.10.11: Mixed Media

    Emanuel Cohen (Universite du Quebec a Montreal): “A Bout De Mots”
    http://vimeo.com/14434960*AE + negative scans

    Andrew S Allen (www.andrewsallen.com): The Thomas Beale Cipherhttp://vimeo.com/19115071

    Fran and Will Krause: Dog in a Burning Building
    http://www.youtube.com/watch?v=eYjli42Rxwk

    Edouard Sallier: The Replicants "User"

    Week 7: March 03, 2011

    TYPOGRAPHY: PART 3
    • text animators (continued) 
    • advanced settings 
      • based on 
      • shape 
      • randomize order/random seed 
    • text animator presets 
      • "Effects and Presets" window > Brows Presets (dropdown menu) 

    BLENDING MODES
    • blending mode types 
    • stencil/silhouette 
    • blending modes within nested comps: collapse transformations 









      Inspiration 03.10.11: Ink

      Danny Yount (Prologue Films): Sherlock Holmes title sequence
      http://www.artofthetitle.com/2010/01/21/sherlock-holmes/

      Troublemaker Studio: Machete title sequence
      http://www.artofthetitle.com/2011/02/28/machete/
      * scroll down for the making of cool masks.

      Project #5: Animated Song Lyrics

      Due date: March 10, 2011

      Animation: 
      Choose 20 seconds of a song and animate the lyrics. Make your type reflect the meaning of the words.

      Use both the manual and the text animator techniques. DO NOT use a text animation preset unless you modify it beyond recognition.


      Specs:
      - 20 seconds
      - 1280 x 720 @ 29.97 fps
      - h264 or mpeg4 compression; DO NOT hand in animation compression files: they are too big for me to upload.

      Student Work: Project #4

      A Ten Letter Word


      Theo B: http://vimeo.com/20355274
      Anna F: http://vimeo.com/20355183
      Makenzie J: http://vimeo.com/20357879
      Eunice J: http://vimeo.com/20610704
      Chris P: http://vimeo.com/20355089
      Sarah S: http://vimeo.com/20355224
      Christiana T: http://vimeo.com/20355108