- review: editable text from photoshop and illustrator
- character and paragraph tools
- animating text manually
- create a text guide
- animate back to front (set end keyframes first)
- animating text paths
- select the text layer
- create a mask
- use mask as path
- using text animators
- text attribute options
- text animator envelopes
- animating the offset: animator > range selector
- advanced options: "based on" (characters, words, lines)
Thursdays, 6:30pm - 9:20pm, Engineering Building, Room 215B
Week 6: Feb 24, 2011
TYPE—PART 2
Student Work: Project #3
Deconstructing a logo
Theo B
logo 1: http://vimeo.com/20355639
logo 2: http://vimeo.com/20355663
logo 3: http://vimeo.com/20355677
Jacob B
logo 1: http://vimeo.com/20372772
logo 2: http://vimeo.com/20372777
logo 3: http://vimeo.com/20372785
Makenzie J
logo 1: http://vimeo.com/20355531
logo 2: http://vimeo.com/20355560
Eunice J
logos 1-3: http://vimeo.com/20528243
Chris P
logo 1: http://vimeo.com/20357420
logo 2: http://vimeo.com/20357490
Michael R
logo 1: http://vimeo.com/20528257
Sarah S
logo 1: http://vimeo.com/20355578
logo 2: http://vimeo.com/20355600
logo 3: http://vimeo.com/20355624
Christiana T
logo 1: http://vimeo.com/20355373
logo 2: http://vimeo.com/20355462
logo 3: http://vimeo.com/20355486
Theo B
logo 1: http://vimeo.com/20355639
logo 2: http://vimeo.com/20355663
logo 3: http://vimeo.com/20355677
Jacob B
logo 1: http://vimeo.com/20372772
logo 2: http://vimeo.com/20372777
logo 3: http://vimeo.com/20372785
Makenzie J
logo 1: http://vimeo.com/20355531
logo 2: http://vimeo.com/20355560
Eunice J
logos 1-3: http://vimeo.com/20528243
Chris P
logo 1: http://vimeo.com/20357420
logo 2: http://vimeo.com/20357490
Michael R
logo 1: http://vimeo.com/20528257
Sarah S
logo 1: http://vimeo.com/20355578
logo 2: http://vimeo.com/20355600
logo 3: http://vimeo.com/20355624
Christiana T
logo 1: http://vimeo.com/20355373
logo 2: http://vimeo.com/20355462
logo 3: http://vimeo.com/20355486
Student Work: Project #2
Geometric Shapes
John B: http://vimeo.com/20319391
Jacob B: http://vimeo.com/20328041
Anna F: http://vimeo.com/20319857
Nora G: http://vimeo.com/20317845
Mike G: http://vimeo.com/20318526
Chris P: http://vimeo.com/20315398
Sarah S: http://vimeo.com/20317472
John B: http://vimeo.com/20319391
Jacob B: http://vimeo.com/20328041
Anna F: http://vimeo.com/20319857
Nora G: http://vimeo.com/20317845
Mike G: http://vimeo.com/20318526
Chris P: http://vimeo.com/20315398
Sarah S: http://vimeo.com/20317472
Inspiration 02.17.11: Creative uses of masks
You can use masks to create animations of morphing shapes. As you watch Jane Aaron's "Set in Motion", think of how you could animate mask paths on color solids to mimic the effect of the stop motion lines traveling across the environment.
Jane Aaron - Set in Motion (1987)
http://www.youtube.com/watch?v=0efertdbm2I
Jane Aaron - Set in Motion (1987)
http://www.youtube.com/watch?v=0efertdbm2I
Project #4: A Ten Letter Word
Due date: February 24, 2011
Animation:
Select a 10 letter word (e.g. greasewood) and music of your choice. In 30 seconds, spell out the word letter by letter and then bring on the entire word. You can create letters using either After Effects or importing them from another program.
Note: Because of the time constraint, I would suggest for you to animate the 10 individual letters quickly and spend more time bringing in the full word.
Specs:
1280x720, square pixels, 29.97 fps, h264 compression
Animation:
Select a 10 letter word (e.g. greasewood) and music of your choice. In 30 seconds, spell out the word letter by letter and then bring on the entire word. You can create letters using either After Effects or importing them from another program.
Note: Because of the time constraint, I would suggest for you to animate the 10 individual letters quickly and spend more time bringing in the full word.
Specs:
1280x720, square pixels, 29.97 fps, h264 compression
Inspiration 02.17.11-03.03.11: Typography
Interview with Kyle Cooper
http://vimeo.com/9020112
Non-Digital/Natural Materials:
Jesse Zanzinger: Refraction—The Alphabet
http://vimeo.com/17509873
Ed Aclerman and Collin Morton: Primiti Too Taa
http://www.youtube.com/watch?v=KcrTzPAUqic&feature=youtube_gdata_player
Telling a Story:
Matthew Rogers: Stephen Fry Kinetic Typography—Language
http://vimeo.com/15412319
Curious Pictures: Nike—The Girl Effect
http://www.vimeo.com/13554052
Complex Type Animation:
Sebastian Lange: Flickermood 2.0
http://vimeo.com/3302330
Sehsucht: Mercedes-Benz Bas Child
http://vimeo.com/7522026
Visit these sites for good text animation references:
The Art of the Title Sequence:
http://www.artofthetitle.com/
Forget the Film, Watch the Titles:
http://www.watchthetitles.com/
IFC: 50 best title sequences of all tiems
http://www.ifc.com/news/2011/02/the-50-greatest-opening-title.php?page=11Passion Pictures (typography):
http://www.passion-pictures.com/flash.html#page=k11
http://vimeo.com/9020112
Non-Digital/Natural Materials:
Jesse Zanzinger: Refraction—The Alphabet
http://vimeo.com/17509873
Ed Aclerman and Collin Morton: Primiti Too Taa
http://www.youtube.com/watch?v=KcrTzPAUqic&feature=youtube_gdata_player
Telling a Story:
Matthew Rogers: Stephen Fry Kinetic Typography—Language
http://vimeo.com/15412319
Curious Pictures: Nike—The Girl Effect
http://www.vimeo.com/13554052
Complex Type Animation:
Sebastian Lange: Flickermood 2.0
http://vimeo.com/3302330
Sehsucht: Mercedes-Benz Bas Child
http://vimeo.com/7522026
Visit these sites for good text animation references:
The Art of the Title Sequence:
http://www.artofthetitle.com/
Forget the Film, Watch the Titles:
http://www.watchthetitles.com/
IFC: 50 best title sequences of all tiems
http://www.ifc.com/news/2011/02/the-50-greatest-opening-title.php?page=11Passion Pictures (typography):
http://www.passion-pictures.com/flash.html#page=k11
Week 5: Feb 17, 2011
PRE-COMPING AND NESTING:
TYPE—PART 1:
- how to pre-comp
- why pre-comp
- nesting comps
References:
http://library.creativecow.net/articles/preston_bryan/precomp.php
* Ignore the sections about "Applying Effects" and "Rendering for Avid" as we didn't cover the first and won't go into the second.
http://library.creativecow.net/articles/preston_bryan/precomp.php
* Ignore the sections about "Applying Effects" and "Rendering for Avid" as we didn't cover the first and won't go into the second.
SOLIDS:
- creating a solid layer
- layer > new > solid or "Command + Y"
- editing solid layer settings
- layer > solid settings or "Shift + Command + Y"
MASKS:
- creating a mask
- select a layer
- use a pen tool or any of the geometry tools (rectangle, ellipse, etc) to apply a path
- mask states
- add, subtract, intersect, lighten, darken, difference
- mask transforms
- path, feather, opacity expansion
- animating mask paths
References:
http://www.adobepress.com/articles/article.asp?p=1661078
http://www.adobepress.com/articles/article.asp?p=1661078
TYPE—PART 1:
- importing text: Convert to Editable Text
- Photoshop file: import into AE, place in comp, right-click > Convert to Editable Text
- Illustrator file: export as psd file, import into AE, place in comp, right-click > Convert to Editable Text
- creating text in AE: type tool ("Command + T")
References:
http://help.adobe.com/en_US/aftereffects/cs/using/WSB0C11C4A-7F82-4fdf-81DD-3E39B052541Aa.html
http://help.adobe.com/en_US/aftereffects/cs/using/WSB0C11C4A-7F82-4fdf-81DD-3E39B052541Aa.html
Project #3: Deconstructing Logos
Due date: Feb 17, 2011
Animation:
Create three animations of 7 to 10 seconds each, in which you build up and then take apart a logo or symbol of your choice. You can choose to focus on one logo and create three different animations or use three different logos. Make sure the shape you choose is complex enough for an interesting animation.
Your logos MUST be a layered illustrator vector file.
Hints:
Animation:
Create three animations of 7 to 10 seconds each, in which you build up and then take apart a logo or symbol of your choice. You can choose to focus on one logo and create three different animations or use three different logos. Make sure the shape you choose is complex enough for an interesting animation.
Your logos MUST be a layered illustrator vector file.
Specs:
1280x720, square pixels, 29.97 fps, h264 compression
Hints:
- Don't forget to turn on continuous rasterization when you animate (see image below).
- Place your logo elements on SEPARATE LAYERS and not simply sub-layers (see image below). After Effects does not recognize sub-layers and will import your file as flat.
- Import your file as a "Composition—retain layer size".
![]() |
| Continuously Rasterize |
![]() |
| ai layers vs. sublayers |
Inspiration 02.10.11: Deconstructing Logos
Chermayeff & Geismar
Logomotion Detail 1: http://vimeo.com/10388543
Library of Congress: http://vimeo.com/10262031
Amnesty International: http://vimeo.com/10259987
Clim: Atzucac Films
Logomotion Detail 1: http://vimeo.com/10388543
Library of Congress: http://vimeo.com/10262031
Amnesty International: http://vimeo.com/10259987
Clim: Atzucac Films
http://vimeo.com/4811769
Big Spaceship: Pretty Loaded
- This website features an archive of flash animation for web-site loaders. Some of the examples can give you inspiration into your logo assignment. Sit through a few to get some ideas, keeping in mind our motion lessons.
2010 Motion Graphics Design Census
Check out the latest statistics about the field of motion graphics—from work hours to salary, education background, age, etc...
http://motiongraphicdesigncensus.org/wp-content/uploads/2011/01/2010_MGDC_RESULTS.pdf
http://motiongraphicdesigncensus.org/wp-content/uploads/2011/01/2010_MGDC_RESULTS.pdf
Week 4: Feb 10, 2011
MOTION (continued):
WORKING WITH FOOTAGE:
- keyframes (continued)
- rove across time
- parenting
- to layers
- to null objects
- using illustrator paths as motion paths:
- Open Adobe Illustrator and from Edit>Preferences>Files & Clipboard menu turn on AICB with Preserve Paths selected
- auto orient
- motion blur
- title/action safe
WORKING WITH FOOTAGE:
- importing/working with photoshop layers
- working with illustrator layers: continuous rasterization
Inspiration 02.03.11: Geometric Shapes
Use these animations as inspiration for your "Geometric Shapes" project. Pay attention to the mood, rhythm, motion and scene changes.
Tim Finn: CMYoKay
Frater Films: Youth Music Box
Studio AKA: BUPA Fell Better campaign
Janet Perlaman: Sorry Film Not Ready
Frater Films: Oxfam Swap It
Project #2: Geometric Shapes
Due date: February 10, 2011
Chose a soundtrack with good rhythm and create a 30 second animation using geometric shapes.
Assets:
The shapes can be created in Illustrator or Photoshop. Keep your design tasteful but as simple as possible—the aim is to practice animation skills.
Animation:
You can use any transform attributes we covered: position, rotation, scale, opacity. Use the "ancor point" transform to change the center of your object when needed (for example, when you want to scale your object from the base as opposed to the center).
Use a variety of shapes and/or scenes—don't have the entire 30 seconds be two circles spinning around on a screen. Whatever you do, make sure it goes with the music.
Render: quicktime with h264 compression or mpeg4. Make sure to render with audio!
Reference: (also posted in the inspiration section)
* Some of these videos may contain animation a bit fancier than what we covered. Focus on the mood, the speed and ponder how you could achieve similar results could be achieved using the transform attributes.
Tim Finn: CMYoKay
http://www.imdb.com/video/wab/vi3333134361/
Frater Films: Youth Music Box
http://vimeo.com/6248465
Studio AKA: BUPA Fell Better campaign
http://www.studioaka.co.uk/#/work-bupafeelbettercampaign
Janet Perlaman: Sorry Film Not Ready
http://vimeo.com/17849456
Frater Films: Oxfam Swap It
http://vimeo.com/2979309
Chose a soundtrack with good rhythm and create a 30 second animation using geometric shapes.
Assets:
The shapes can be created in Illustrator or Photoshop. Keep your design tasteful but as simple as possible—the aim is to practice animation skills.
Animation:
You can use any transform attributes we covered: position, rotation, scale, opacity. Use the "ancor point" transform to change the center of your object when needed (for example, when you want to scale your object from the base as opposed to the center).
Use a variety of shapes and/or scenes—don't have the entire 30 seconds be two circles spinning around on a screen. Whatever you do, make sure it goes with the music.
Specs:
Format: 1280 x 720 @ 29.97 fpsRender: quicktime with h264 compression or mpeg4. Make sure to render with audio!
Reference: (also posted in the inspiration section)
* Some of these videos may contain animation a bit fancier than what we covered. Focus on the mood, the speed and ponder how you could achieve similar results could be achieved using the transform attributes.
Tim Finn: CMYoKay
http://www.imdb.com/video/wab/vi3333134361/
Frater Films: Youth Music Box
http://vimeo.com/6248465
Studio AKA: BUPA Fell Better campaign
http://www.studioaka.co.uk/#/work-bupafeelbettercampaign
Janet Perlaman: Sorry Film Not Ready
http://vimeo.com/17849456
Frater Films: Oxfam Swap It
http://vimeo.com/2979309
Student-Submitted Videos
Anna Fuentez
- Opening titles for Up in the Air: http://www.shadowplaystudio. com/work/up_in_the_air/
Michael Ryterband
- Sommar: http://vimeo.com/19403316
- Red Head Speed Skater: http://vimeo.com/3817665
Theo Barron
- Chemical Brothers's "Swoon": http://vimeo.com/12462719
Eunice Joung
- Pratt DDA: http://vimeo.com/14235906
- "Tale of the Three Brothers" from Harry Potter—The Deathly Hollows: http://www.youtube.com/watch? v=OoKY9ODj-1c
- Ben Hibon (designer) for Stainless Films: http://www.statelessfilms.com/ main.htm
Sarah Steinmetz
- Beyonce's "Why Don't You Love Me": http://www.youtube.com/watch? v=QczgvUDskk0
Jacob Berlow
- How To Airbnb: http://www.youtube.com/watch?v=SaOFuW011G8
- Transvideo Studios: http://www.transvideo.com/
John Banom
- Ramona Falls "I Say Fever": http://www.youtube.com/watch? v=Ga0ohgZFVqc
- "Western Spaghetti" by PES: http://www.eatpes.com/western_spaghetti.html
Week 3: Feb 3, 2011
FROM LAST CLASS:
- reloading/troubleshooting footage issues
- working with audio: waveforms, volume control
- rendering review
- Render Settings
- Output Module
- Output To
- compression
- new class format: 1280 x 720 progressive at 29.97 fps (720p)
- class review of Project #1
MOTION:
- keyframes
- keyframe interpolation
- bezier curves/handles
- ease-in/ease-out/easy ease
- creating custom ease with Graph Editor
Motion Tutorials:
Subscribe to:
Posts (Atom)

